CLOUDS TASTE SATANIC "EVIL EYE" #ISR MULTI-COLOUR SPLATTER VINYL EDITION
#ISR203: CLOUDS TASTE SATANIC "EVIL EYE" #ISR MULTI-COLOUR SPLATTER VINYL EDITION
*Heavy Weght Splatter Trans Orange /Black /Red /White Vinyl 180 grams, housed in gatefold cover.
*Splatter Trans Orange /Black /Red /White Vinyl Hand-Crafted in 33 1/3 RPM, with new special audiophile mastering for vinyl edition to get the highest possible sound quality.
TRACKLIST:
1. Evil Eye 19:53
2. Pagan Worship 20:48
REVIEW'S:
STONER HIVE:
"Instrumental music sucks big time – boring jamming that no one wants to hear, recorded and presented as an album. You lazy fuckers, do not waste my time. And then something comes along to change your mind. Never listened to Clouds Taste Satanic before but was sent a promo and decided to give it a five minute spin ….. which turned into playing the whole thing, getting to the end and starting again. These guys just do it right. Expansive soundscapes carry you along – in my head I am riding a skeletal horse across a blasted city ruin being trailed by mutated wolves and shambling cannibal women who are strangely sexy. Stunning guitar work and song composition make me want this piped directly into my ears at all times. This is the good shit."
CVLT NATION:
"On Evil Eye, Clouds Taste Satanic have gone down the whole hog of the Bell Witch path, with two chunky pieces brought together on the one album, starting with the title track itself before moving on to ‘Pagan Worship’. The grooves register on ‘Evil Eye’ easily with power, poise and purpose, albeit at a modest pace, once the heavy psych opening has faded. While the dual guitar battles of Steve Scavuzzo and Brian Bauhs drive the sound forward, Sean Bay’s grasscutter bass is no less significant. Such are some of the broad spirals untangled by their ambitious riff assault that Clouds Taste Satanic lean more towards sonic Stoner slabs than debilitating doom. Greg Acampora is content to quite literally take the back seat for large phases of the instrumental wizardry but his impact when delivered from behind his kit is both timely and thoughtful. The track is at times reminiscent of Scott Carlson’s inspired recent solo release, Conquistador, haunting and uplifting, frequently on the same brush of the strings, while the final transcendental climb to the summit is little short of spine-tingling."
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